ADOBE ILLUSTRATOR

RESOURCE GUIDES

RESOURCE GUIDES: As I create my artwork, pay attention to the resources being used throughout the Workflows, Tutorials, and YouTube Playlists. LEARNING TARGET (1): Download Brushes and Resource Folders to use with your own artwork and designs. LEARNING TARGET (2): Start with our Resource Guides to understand how to download, save, and apply Brush Libraries, Comic Halftones, and T-Shirt Textures in Adobe Illustrator.
TUTORIALS: I have organized tutorials by core areas of your Workflow: Building, Editing, and Coloring. LEARNING TARGET (1): Understand the Building Tools and Options. LEARNING TARGET (2): Apply Line Variation along with Live and Expanded Editing Tools. LEARNING TARGET (3): Apply Color, Values, and Gradients using Advanced Coloring Techniques.
GETTING STARTED: Our Getting Started Guides will walk you through the process of downloading, saving, and gathering resources for your own artwork.  LEARNING TARGET (1): Download Stock Photos to use as a Resource Images. LEARNING TARGET (2): Download and Save Brush Libraries. LEARNING TARGET (3): Download or Save Color Swatches.
STOCK PHOTOS: I recommend using Unsplash for your Sketch, Drawing, and Color References. If you are new, I recommend creating a "Traceable Path" by using a Clean Line Drawing or Traced Stock Photo. LEARNING TARGET: Download Stock Photos to use for your artwork and designs.
COLOR SWATCHES: I highly recommend using Adobe Color for your Themes to add to your Library or download ASE Files. In most tutorials, we will be applying Flat Colors using Live Paint. LEARNING TARGET: Download or Save Color Themes to use with your own artwork and designs.
FONT FAMILIES: I recommend using Adobe Fonts for Commercial Use. If you are New, look for Font Families to use for your Primary Business or Marketing (Headers + Sub Headers). LEARNING TARGET: Download or Save Fonts to use with your own artwork and designs. 
ILLUSTRATOR TUTORIALS: Tutorials and Playlists will follow an easy process for creating artwork in Adobe Illustrator. If you are new to Adobe Illustrator, start with Beginner Guides or Illustrator Tutorials.  LEARNING TARGET: Understand how to apply the Primary Building Tools and Options in Adobe Illustrator.
DIGITAL DOWNLOADS: Many of you are jumping over from YouTube looking to download our Adobe Illustrator Brushes and Resource Folders. Digital Downloads will come through our friends at Teachable. LEARNING TARGET: Download Brush Libraries, Comic Halftones, T-Shirt Textures, or Resource Bundles.
RESOURCE GUIDES: As I create my artwork, pay attention to the resources being used throughout the Workflows, Tutorials, and YouTube Playlists. LEARNING TARGET: Understand how to apply Brush Libraries, Color Swatches, Comic Halftones, and BMP Textures in Adobe Illustrator.
BEGINNER: In our Beginner Guides and Tutorials, you will see me give Prompts and Learning Targets. These directions will simplify the process of learning Adobe Illustrator. LEARNING TARGET: Understand the Primary Building Tools and Options in Adobe Illustrator.
ADVANCED: As I am creating my artwork, pay attention to the Sequence of Events, Resources, and Tool Options as it relates to building a "Workflow." LEARNING TARGET: Apply Building, Variation, Editing, and Advanced Color Techniques to your own Artwork.
FOCUS: I have organized tutorials by core areas of your Workflow: Building, Editing, and Coloring. LEARNING TARGET (1): Understand the Building Tools and Options. LEARNING TARGET (2): Apply Line Variation along with Live and Expanded Editing Tools. LEARNING TARGET (3): Apply Color, Values, and Gradients using Advanced Coloring Techniques.
"BUILDING" ARTBOARD: I recommend establishing a "Standardized Approach" that you can use for your own artwork. The initial Artboard Size can be changed at any point without ruining your own artwork. LEARNING TARGET: Create a "Building Template" that includes Artboards, Resources, and Template Layers.
DOWNLOAD RESOURCES: If you are a Beginner, I am going to recommend starting from a Resource Image. Give yourself a "Traceable Path" by using a Clean Line Drawing or Traced Photo. LEARNING TARGET: Start with the Resource you intend on using for your artwork (Sketch, Drawing, or Traced Stock Photo).
TEMPLATE LAYER: Have your Drawing, Sketch, or Traced Photo Selected. In your Layers Panel, select the Menu in the Upper-Right Hand Corner. Drop down to Template. This will create 50% Opacity and Lock the Layer. LEARNING TARGET: Create a Template Layer so you can see the Resource Image and new Paths.
RESOURCE IMAGES: If you are a Beginner, I am going to recommend starting from a Resource Image. Give yourself a "Traceable Path" by using a Clean Line Drawing or Traced Stock Photo. LEARNING TARGET: Download Resource Images to use for your artwork and designs.
COLOR SWATCHES: I highly recommend using Adobe Color for your Themes to add to your Library or download .ASE Files to Open. In most Tutorials, we will be applying Flat Colors using Live Paint. LEARNING TARGET: Download or Save Color Themes to use with your own artwork and designs.
BRUSH LIBRARIES: Many of our Tutorials will go through a process of applying and editing our Brush Libraries. Brush Libraries will come as Zipped Folders, Extract All before using in Adobe Illustrator. LEARNING TARGET: Download Brush Libraries to use with your own artwork or designs.
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BRUSH LIBRARIES: Once you have downloaded and extracted the folders, Brushes are ready to be used in Adobe Illustrator. Download our Cartoon, Comic Strip, and Vintage Mascot Brushes. DOWNLOAD BRUSHES / RESOURCE BUNDLE

BRUSH LIBRARIES: Once you have downloaded and extracted the folders, Brushes are ready to be used in Adobe Illustrator. Download our Cartoon, Comic Strip, and Vintage Mascot Brushes. BRUSHES GUIDE
BRUSH LIBRARIES: Once you have downloaded and extracted the folders, Brushes are ready to be used in Adobe Illustrator. Download our Cartoon, Comic Strip, and Vintage Mascot Brushes. DOWNLOAD BRUSHES 
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SAVE LIBRARIES. I recommend Saving Brush Libraries to your "User Defined" for Quick Access in Adobe Illustrator. Save Brush Libraries to your "User Defined" by clicking "Save Brush Library" from the dropdown in the Brushes Menu.
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PRIMARY BUILDING: Many of you will use Shape, Pencil, and Pen Tools as your Primary Building Tools. Understand the Building Tools and Options in Adobe Illustrator. Align the Building Tools (Ellipse, Pen, and Curvature Tools) to the Design Elements (Shapes, Lines, and Curves) in your own drawing or sketch.
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APPLYING BRUSHES: Match the Brushes to the Line Variation. Select the Brushes and Line Weight. The easiest method is to find the ends and visually find the other end to see if it will be floating or hitting another line. If it hits another line that signals a darker value to the end should reflect the change in value. (Thicker End).
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EXPANDED EDITING: To use Shape Builder, you must Duplicate and Expand the Brush Layer. Select All - Expand (Expand Appearance). I recommend duplicating the Brushes Layer to preserve a Live Brush Layer for future edits. Go long with your initial paths to create a larger target for editing with Shape Builder.
ADOBE ILLUSTRATOR

RESOURCE GUIDES

RESOURCE GUIDES

BRUSHES GUIDE
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COMIC HALFTONES: Once you have downloaded and extracted the folder, Halftones are ready to be used in Adobe Illustrator. Download our Comic Strip Halftone and Pattern Fills. DOWNLOAD HALFTONES / RESOURCE BUNDLE
COMIC HALFTONES: Once you have downloaded and extracted the folder, Halftones are ready to be used in Adobe Illustrator. Download our Comic Strip Halftone and Pattern Fills. HALFTONES GUIDE 
COMIC HALFTONES: Once you have downloaded and extracted the folder, Halftones are ready to be used in Adobe Illustrator. Download our Comic Strip Halftone and Pattern Fills. DOWNLOAD HALFTONES 
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OPEN HALFTONES: Pattern Fills and Halftones are Adobe Illustrator Files. The goal is to Open + Copy + Paste the Swatches into the Working Artboard. The Pattern Fills (Swatches) will automatically populate into your Swatches once you Copy - Paste. 
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RESIZING PATTERNS: Depending on your artboard size, you might need to Resize Pattern Fills the Halftones in Adobe Illustrator. Simply use the Scale Tool to "Transform Patterns."   
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APPLYING HALFTONES: Halftones will behave just like any Color Swatch in Adobe Illustrator. If you are new to Adobe Illustrator, use the Blob Brush to paint in Comic Halftone Patterns.
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KNIFE TOOL: We will use the Knife Tool to cut the Basic Shape we created, creating values with our Halftones. Troubleshooting: 1. Select the Shape before Cutting. 2. Make sure you cut all the way through the shape (go long with cuts). 
ADOBE ILLUSTRATOR

RESOURCE GUIDES

RESOURCE GUIDES

HALFTONES GUIDE
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T-SHIRT TEXTURES: Once you have downloaded and extracted the folders, Textures are ready to be used in Adobe Illustrator. Download Crack, Grunge Distressing, Paper, and Paint Splatter BMP Textures. DOWNLOAD TEXTURES / RESOURCE BUNDLE
T-SHIRT TEXTURES: Once you have downloaded and extracted the folders, Textures are ready to be used in Adobe Illustrator. Download Crack, Grunge Distressing, Paper, and Paint Splatter BMP Textures. TEXTURES GUIDE 
T-SHIRT TEXTURES: Once you have downloaded and extracted the folders, Textures are ready to be used in Adobe Illustrator. Download Crack, Grunge Distressing, Paper, and Paint Splatter BMP Textures. DOWNLOAD TEXTURES 
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RESIZE ARTWORK: I recommend duplicating the layer or copying and pasting to a new artboard. Select All - Group. Use the Properties Panel to transform your original Artwork or Design to fit Printer Requirements. 
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PLACING TEXTURES: To use BMP in Adobe Illustrator, go to File- Place. Select any of the BMP Textures to bring in to your working artboard. Most adjustments will be in the Transparency Panel. 
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CLIPPING MASKS: Using the "Draw Inside" feature is an easy way to use Clipping Masks in Adobe Illustrator. Simply File - Place in the BMP Texture into the selected "Draw Inside" Shape.
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OPACITY MASKS: Using Opacity Masks in Adobe Illustrator is extremely fun. Click on "Make Mask" in the Transparency Panel. This will be for your own original artwork for T-shirt Distressing.
ADOBE ILLUSTRATOR

RESOURCE GUIDES

RESOURCE GUIDES

TEXTURES GUIDE
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ARTBOARDS + TEMPLATES: Create Templates or use Program Presets for your own artwork and designs. I recommend creating a Drawing Template based on your frequently used sizes. (Size / Color Mode / Resolution)
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RESOURCE GUIDES: As I create my artwork, pay attention to the resources being used throughout the Workflows, Tutorials, and YouTube Playlists. 
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DRAWING TEMPLATE: File - New. Create a Adobe Photoshop Document 2160px by 1080px. You can adjust the size to match your Export Size (1080px by 1080px). Select the Frame Tool. Create a Frame half of the size of the Document. File - Place Embedded to insert Photo.
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ADJUSTMENT LAYERS: Once you have placed in your Photo Reference, you can add Adjustment Layers. This will assist you in looking at the Photo Reference. This is not required. I recommend adding Brightness/Contrast, Levels, Curves, and Black & White.
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EXPORTING FROM LAYERS: When you are all done with your Sketches, Drawings, or Traced Stock Photos, I recommend Exporting from the Layers Panel. Select All of your Drawing Layers. Click on Export As from the Layers Panel Menu. This will Export All of your Drawing Layers.
ADOBE ILLUSTRATOR

RESOURCE GUIDE

RESOURCE GUIDE

GO TO GUIDE
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RESOURCES + STOCK PHOTOS: Download Stock Photos or Reference Images for your own artwork and designs. I recommend gathering and organizing resources within the same project folder (Stock Photos / Sketches / Thumbnails / Color Swatches). 
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RESOURCE GUIDES: As I create my artwork, pay attention to the resources being used throughout the Workflows, Tutorials, and YouTube Playlists. 
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ARTBOARDS: File-New. Use a size or ratio that you can use for all of your own artwork. I recommend a 1080px by 1080px artboard for websites and social postings. Many of you will be looking to export your own artwork to Instagram. You can modify the size of the artwork or artboard with the Artboard Tool or Properties Panel. 
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SKETCH OR TRACED PHOTO: I recommend starting from a Clean Line Drawing or a simple Traced Stock Photo for your artwork and designs. Create a "Traceable Path" to align with the Building Tools in Adobe Illustrator. You can speed up your workflow by using a Quick Sketch when you become more advanced. 
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TEMPLATES: File -Place in your own Drawing, Sketch, or Traced Stock Photo. Select your Resource Layer. (It will usually be your only layer) In your Layers Panel, select the Menu in the Upper-Right Hand Corner. Drop down to Template. This will create a 50% Opacity and Lockout the Layer. Create a New Layer above to start "Building". 
ADOBE ILLUSTRATOR

RESOURCE GUIDE

RESOURCE GUIDE

GO TO GUIDE
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COLOR SWATCHES + THEMES: Download or Save Color Swatches for your own artwork and designs. I recommend gathering and organizing resources within the same project folder (Stock Photos / Sketches / Thumbnails / Color Swatches).
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RESOURCE GUIDES: As I create my artwork, pay attention to the resources being used throughout the Workflows, Tutorials, and YouTube Playlists. 
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SAVING SWATCHES: For those of you using Adobe Color, I recommend starting from the Explore Tab. If you have CC, you can Add to your Library. If you have an older version, download as an ASE File.
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OPENING LIBRARIES: Open your Library Panel. Select the Color Theme you would like to use. Right Click on the Color Theme to Add Theme to your Swatches Panel.
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OPENING SWATCHES: Open your Swatches Panel. In the Swatches Menu, drop down to Open Swatch Library. Select "Other Library" to open an ASE File saved on your computer.
ADOBE ILLUSTRATOR

RESOURCE GUIDE

RESOURCE GUIDE

GO TO GUIDE
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FONTS + FAMILIES: Download or Install Font Families (Adobe Fonts / Dafont / Font Squirrel / Google Fonts) for your own artwork and designs. I recommend gathering and organizing resources within the same project folder (Stock Photos / Sketches / Thumbnails / Color Swatches).
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BEGINNER GUIDES: As I create my artwork, pay attention to the resources being used throughout the Workflows, Tutorials, and YouTube Playlists. BEGINNER GUIDE 9 / BEGINNER GUIDE 10 / BEGINNER GUIDE 11
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FINDING FONTS: For those of you using Adobe Fonts, I recommend starting from the Browse All, Trending, and Recommendations. I do recommend testing out the new Variable Fonts.
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SORTING FONTS: Have an idea of what you are looking for before looking for Fonts. Use the Categories and Tabs to sort through the Font Families.
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SAVING FONTS: When you find a Font or Family you like, you can simply click the Add Family to your Account. The Fonts will be available across your Adobe Programs.

NEW: FREE TOOLS

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PRACTICE EXERCISE PROMPTS: Select your workflow, type in your subject, and this tool assembles a detailed AI image generation prompt designed specifically for Adobe Illustrator practice exercises.
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COLOR PALETTE GENERATOR: Free color palette generator with real color theory — analogous, triadic, complementary & more. Lock colors, export CSS, PNG, or hex codes instantly.
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FONT PAIRINGS FINDER: Free font pairing tool for designers and POD sellers. Browse Google Fonts and Adobe Fonts pairings by style — copy the import CSS in one click. No sign-up required.
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SOCIAL MEDIA SIZE FINDER: The exact pixel dimensions for every major social platform — feed posts, stories, covers, banners, and profile images. Tap any platform below to see its full specs: dimensions, resolution, color mode, file format, and a quick tip on what to watch for before you design. Covers Instagram, TikTok, YouTube, Facebook, Pinterest, LinkedIn, and X (Twitter).
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POD SIZE FINDER: The exact canvas size, resolution, and file format for the 10 most popular print-on-demand products. Tap any product below to see its specs — dimensions, DPI, color mode, file format, and a quick tip on what to watch for before you export. Covers apparel, drinkware, home & decor, and accessories.
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ARTBOARD SIZE FINDER: Not sure what size to set up your artboard before you start designing? Tap a card below to see the exact pixel dimensions, color mode, and resolution for logos, brand marks, profile icons, and common digital canvas sizes — so you're set up correctly in Adobe Illustrator before you draw a single line.
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WATERMARK TOOLKIT: Add a text or logo watermark to a whole batch of images before you post them. Tile it across the image so it is hard to crop out, create small web-size previews, and embed your copyright info inside the file. It runs entirely in your browser, so your artwork is never uploaded. A watermark discourages casual copying but cannot stop a determined thief, so use it as one layer of protection.
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T-SHIRT PLACEMENT CHECKER: See exactly how your design will sit on a t-shirt before you upload it. Choose full front, left chest, back or your own print area, check the printed size in inches and the effective DPI, test it on shirt colors, and export a print-ready PNG sized to the print area. It runs entirely in your browser, so your artwork is never uploaded. Print areas are typical starting sizes, so always confirm with your print provider.
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WHITE-TO-TRANSPARENT BACKGROUND: Turn a white background into a transparent PNG in seconds. Remove just the white around your design or every white pixel, smooth the edges so there is no white halo, then preview it on shirt colors before you print. It runs entirely in your browser, so your artwork is never uploaded.
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SOCIAL MEDIA CROPPER TOOL: Crop one image, or a whole batch, to every social media size at once. Pick platforms like Instagram, Pinterest, YouTube and Facebook, drag the preview to choose what stays in frame, and download every size as a ZIP. It runs entirely in your browser, so your images are never uploaded.
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SEAMLESS PATTERN PREVIEWER: See exactly how your design repeats before you send it to print. Choose a grid, half-drop or half-brick layout, turn on the seam check to spot gaps and mismatches, then download a full-size pattern sheet as a PNG. It runs entirely in your browser, so your artwork is never uploaded.
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POD PRINT READY CHECKER: Find out if your design is ready to upload before you waste a print order. Drop in your file, choose where it prints, and get a clear checklist covering resolution and DPI, transparent background, white backgrounds, light halos on the edges, canvas margins and file type.
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IMAGE FORMAT CONVERTER: Convert a whole batch of images between PNG, JPG and WebP in one click. Set the quality, choose a background color for transparent areas, and download everything as a ZIP. It runs entirely in your browser, so your images are never uploaded.
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IMAGE COMPRESSOR: Shrink a whole batch of images in one click. Use the quality slider, or set a target file size like 200 KB and let the tool find the best quality that fits. It runs entirely in your browser, so your images are never uploaded.
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BULK IMAGE RESIZER: Resize a whole batch of photos in one go. Choose a preset for Instagram, Pinterest, YouTube, Etsy or print-on-demand, or enter your own size, then download everything as a ZIP. It runs entirely in your browser, so your photos are never uploaded.

CREATIVE SHOP:

CREATIVE SYSTEMS

A creative system with digital downloads and prompt packs that work together to speed up your workflow. Resource Guides are in a Full Length Learning Module Format on Teachable — learning blocks, frequently asked questions, and work session assignments.
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CARTOON BRUSHES: Cartoon Brushes are my go-to for Professional Logos, Cartoons, Mascots, and Branding. Use Cartoon Illustrator Brushes with the Pen, Pencil, or Paint Brush Tools to Apply different Line Variation to your Vector Artwork. 70 Cartoon Brushes includes Updated Cartoon, Cartoon 2, and Original Cartoon Brush Libraries. 
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COMIC BRUSHES: Hand-painted and Comic Strip Brushes to get a lived-in feel back into your Vector Art. Comic Strips and Hand Painted are painted based on some of my favorite artists and cartoonists. These brushes are designed to look ready for the Sunday Paper. 100 Comic Strip Brushes includes Updated Comic Strip, Hand-Painted, Paintbrush, and Fine Liner Brush Libraries.  
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MASCOT BRUSHES: Jittery Hand, Caffeinated Cartoonist, and Rough Ink Brushes to Mimic Paper Bleed and Caffeine. Designed to be a little less stiff with your vector art. Use these Brush Libraries to get more distressed look or ink bleed back in your Vector Artwork. 50 Mascot Brushes includes Updated Caffeinated Cartoonist, Rough Ink, and Jittery Hand Brush Libraries. 
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COMIC HALFTONES: Halftones and Patterns Fills are designed for easy application even if you are new to Adobe Illustrator. Halftone Fills behave the same as a Color Swatch so you can apply them quickly using the Blob Brush, Live Paint, or Basic Fills. Simply Paint in Halftones into your own Illustrations and Comics. Halftones: 70 Comic Strip Halftone Fills and Pattern Fills. 
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CRACK BMP TEXTURES: Cracks and Distressing BMP Textures to Apply Opacity Masks to your Own Original Artwork and T-shirt Designs. Use BMP Textures to apply Cracks and Distressing Effects to your Artwork and Designs by Applying Opacity or Transparency Masks for Adobe Illustrator. Created for T-Shirt distressing using your own Original Artwork and Opacity Masks to show through to the garment color. 
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GRUNGE BMP TEXTURES: Grunge Distressing BMP Textures to Apply Opacity Masks to your Own Original Artwork and T-shirt Designs. Use BMP Textures to apply Grunge and Distressing Effects to your Artwork and Designs to use with the Transparency Panel and Opacity Masks for Adobe Illustrator. Great for t-shirt distressing using BMP Textures and Opacity Masks to show the garment color on your Own Original Artwork. 

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PAPER BMP TEXTURES: Paper BMP Textures to use along with the Transparency Panel to create soft texture overlays for your own original artwork. This is great for those of you who are using Textures for Web, Print, and Social Media Sites. Use Textures with Color Swatches, Transparency, Blending Modes, and Clipping Masks to create a subtle texture overlay on your print or web exports.
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PHOTO TO SKETCH PROMPTS: Six complete prompt packs, sixty-six presets, all built from a real photo instead of a sketch. Graphite and Fine Ink for classic pencil and hatched-ink rendering, Contour Line for pure unbroken linework, Hand-Drawn & Naive Art for deliberate imperfection, plus real Pencil Types and Pen Types — four genuine tools each, crossed with three real papers. Includes the Batch Processing system to run one style across a whole folder of photos at once.
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PHOTO TO PAINT PROMPTS: Seven complete prompt packs, one hundred fourteen presets. Painterly gives you six real painting tools crossed with three real surfaces. Ink Wash and Confident Marker & Pen cover authentic wet-line and professional rendering. Four Movements packs bring twenty-six real historical painting techniques — Classical, Baroque, Impressionist, Modern, and Contemporary. Includes the Batch Processing system to run any style across a whole folder at once.
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PHOTO TO PRINT PROMPTS: Four complete prompt packs, forty-six presets, built from real print production techniques. Tonal Grain covers stippling, aquatint, mezzotint, and lithograph. Bold Print brings genuine woodcut and linocut character. Print Process adds six techniques including Risograph, Duotone, Drypoint, and Scratchboard. Punk & Collage covers raw Xerox-degrade energy. Includes the Batch Processing system for running any style across a whole folder.
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PHOTO TO MODERN PROMPTS: Three complete prompt packs, thirty presets, covering the styles that don't fit anywhere else. Pixel Art gives real block-size control across 8-bit, 16-bit, and 32-bit chunkiness. Digital & Reflective Effects covers chrome, glitch, holographic, and Y2K surface treatment. Homemade Craft delivers genuinely hand-crafted, not-AI-generated texture. Includes the Batch Processing system for running any style across a whole folder.
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BRUSHES + PROMPT BUNDLE: This is the whole brush collection in one shot — Cartoon, Comic Strip, and Mascot libraries (200 brushes total), plus the matching AI Sketch-to-Brush prompt pack for each style. Sketch with AI to get your linework fast, then finish and edit it with real, pressure-sensitive brushes in Illustrator. Everything lines up together.
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TEXTURES + PROMPT BUNDLE: Grunge, Paint + Paper, and Crack — all 400 BMP textures in one bundle, plus the AI prompt pack that matches each style. Generate your texture look with AI first, then finish the real print-ready file in Illustrator with the actual BMP textures and Opacity Masks. Tutorial page teaser: Whatever texture mood you're after — grungy, paint-splattered, or cracked and vintage — it's all in here, generated and finished side by side.
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PHOTO TO STYLE PROMPT BUNDLE: Twenty complete prompt packs, two hundred fifty-six presets, organized into four collections so you can find your exact direction fast: Sketch, Paint, Print, and Modern Styles. Every bundle includes the Batch Processing system, so one chosen style can run across a whole folder of your own photos instead of one at a time.
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BRUSHES + TEXTURES BUNDLE: A complete Illustrator asset kit. Cartoon, Comic Strip, and Mascot Brushes; Sketch to Cartoon, Sketch to Comic Strip, and Sketch to Mascot + Anime Prompts; Comic Halftones, Paper + Paint Textures, Print Press + Crack Textures, Fabric + Wear Textures, and Grunge + Surface Damage Textures; year of access and updates to all courses....
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SKETCH TO BRUSHES: The bold cartoon line you already recognize — now you can make it. You know the look: confident, bold, clean cartoon linework behind logos and merch you've seen a hundred times. Sixteen presets across four cartoon styles (each with four line-weight options) let you dial in exactly how bold your character reads, straight from a rough sketch.  
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SKETCH TO BRUSHES: Comic-book inking, no inking degree required. Real comic art gets its depth from a hierarchy — bold outer contour, fine interior detail, nothing in between left flat. Sixteen presets bake that hierarchy straight into your sketch-to-ink conversion, so your linework has real visual weight without you touching a shading brush.  
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SKETCH TO BRUSHES: Apparel-ready mascot energy — the aggressive, hand-inked line quality that reads right on a T-shirt, not just a screen. Sixteen presets, four line-weight intensities, built specifically for character work that has to survive a print run. 
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HALFTONE SCREEN: Real screen-print halftone effects, straight out of the prompt — thirty presets across ten authentic dot, line, and pattern styles, including analog hand-screened irregularity and gritty spot-accent texture. The texture that makes a design look like it actually came off a press. 
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SURFACE DAMAGE + GRIT: Authentic distress, not a generic grunge filter — twelve presets built around real damage types: grunge, grit, fold marks, acid wash. The difference between 'vintage' that looks designed and vintage that looks real. 

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FABRIC + WEAR: Give a design real, lived-in apparel texture — the soft cracking, fading, and wear that makes a print feel like it's been through the wash a hundred times, in the best way. Twelve presets across four texture families. 

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PAPER TEXTURES: Real paper surface presence, straight out of the prompt — twelve presets across kraft, cotton rag, chipboard, and genuinely aged document character. Not distress — the warmth and weight of a design that was actually printed on something.
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PHOTOCOPY: Genuine photocopy degradation, straight out of the prompt — twelve presets covering real generation loss, toner streaking, contrast blowout, and paper jam artifacts. The authentic zine-and-flyer look, not a generic grunge filter..
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PRINT PRESS: The texture of an actual print run gone slightly, beautifully wrong — cracked ink, uneven screens, vintage stamping, ink bleed. Twelve presets for anyone chasing that genuine vintage-press look. 
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I appreciate your videos. I have been an illustrator user for years and have my own ways of doing things. It's great to see other ways of using tools and learning tricks I didn't know were available! It's also good to see you doing the same thing as me in other instances, confirming I'm on the right track!Andy Zenz
Awesome tutorial! I don't think I've picked up something so easily from someone who knows what they are doing. I managed to draw my first vector art and it was a joy! Great work keep it up!blitz145
Thank you loads! Compared to other tutorials, yours are just really well-explained and easy-to-follow. Can totally see that you've got a passion for what you're doing and that's just wonderful! 🙂 Keep it up, you're doing an amazing job. Yulia Kachurova
Love your video thanks so much. you blow Lynda.com out of the water!!!!Steve Yensel
Brilliant video. So much great info packed in here. I'm just getting started drawing cartoons with my Wacom tablet, and this was a huge help. Thumbs up and thanks!Dorian Staten
Wow Thanks Jason...was really struggling with making images with basic shapes. Your tutorial is helping me out!!Kishor Rajani
thanks a lot you are really one of my favorites, I like the steps you give us, and I'm so thankful for that effort you do for helping us :)Wessam Lotfi
Keep up the good work Jason. I’ve been doing Lynda.com tutorials for a few months now and I got more out of your videos than what I’ve received at Lynda. Keep it up and Thank You!!bobby jacobs • 1 year ago
These tutorials are amazing. Just started using illustrator and really glad I found your channel. The only videos that explain everything step by stepAida Stan
You are definitely one of the best teachers I've found dealing with start to finish creative process. Great work!!!Jasen Fisher
Thank you so much man, I loved the way you explain this, I spent days looking for a good tutorial vid, thanks a lot, gonna keep watching your videos!!!Karel Marccenaro
Awesome tutorial! I don't think I've picked up something so easily from someone who knows what they are doing. I managed to draw my first vector art and it was a joy! Great work keep it up!blitz145
Thank you loads! Compared to other tutorials, yours are just really well-explained and easy-to-follow. Can totally see that you've got a passion for what you're doing and that's just wonderful! 🙂 Keep it up, you're doing an amazing job. Yulia Kachurova
Love your video thanks so much. you blow Lynda.com out of the water!!!!Steve Yensel
Brilliant video. So much great info packed in here. I'm just getting started drawing cartoons with my Wacom tablet, and this was a huge help. Thumbs up and thanks!Dorian Staten
Keep up the good work Jason. I’ve been doing Lynda.com tutorials for a few months now and I got more out of your videos than what I’ve received at Lynda. Keep it up and Thank You!!bobby jacobs • 1 year ago
These tutorials are amazing. Just started using illustrator and really glad I found your channel. The only videos that explain everything step by stepAida Stan
You are definitely one of the best teachers I've found dealing with start to finish creative process. Great work!!!Jasen Fisher