Adobe Illustrator Tutorial using Pen Tool
This Adobe Illustrator Tutorial will be a part of our Resource and Beginner Guides to help assist you in creating a workflow for your own artwork. LEARNING TARGET (1): Select a Primary Building Tool that best matches your own artwork or is the easiest to use (Pen, Pencil, or Shape Tools). LEARNING TARGET (2): If you are new, pay attention to the order and sequence of events that I apply to my artwork. I will be adding Brushes to my Line Work before doing Expanded Editing. LEARNING TARGET (Adv): Use Shape Builder for fast Editing. Prep your initial paths to go long.
BUILDING: If you are frustrated with the Pen Tool, a simple tip is to break down the process into 2 Steps. The first step is to just apply Anchor Points to the start-curve-end of a line or path. The second step is to adjust the Curves with the Anchor Point Tool or Smooth Curve Button in the Control Panel.
VARIATION: Many of you will be applying our Brush Libraries. To Open Brushes, open the Brushes Panel. Click on Open Brush Library. Scroll down to “Other Library.” Select one of the Brush Libraries to apply. If you saved Brushes, you can Open from “User Defined.”
COLORING: Coloring will be extremely easy using Live Paint Bucket. The goal of Live Paint is to create Shapes that we can color using Fills. Once you have completed the Live Paint Group, it is important to Expand and Upgroup. We will leverage these shapes for our Values and Gradients.
FREE RESOURCES: As I create my artwork, pay attention to the free resources used throughout the workflow. Download Stock Photos, Color Swatches, and Font Families to use with your own artwork and designs. BEGINNER: For your own artwork, I recommend starting from a Drawing, Sketch, or Traced Stock Photo. ADVANCED: Gather and organize resources within the same project folder (Stock Photos / Sketches / Thumbnails / Color Swatches). FREE RESOURCES GUIDE / RESOURCE GUIDES
DRAWING OR TRACED PHOTO: If you are new to Adobe Illustrator, it's best to avoid starting from a blank artboard, a full-color photo, or a super sketchy drawing. BEGINNER: For your own artwork, create a "Traceable Path" to align with the Building Tools in Adobe Illustrator. ADVANCED: Prepare your drawings for Specific Tools (ex. Ellipse, Pen, or Pencil) or Steps in your Workflow (ex. Building, Brushes, or Values). DRAWING GUIDE / GETTING STARTED GUIDE
PRIMARY BUILDING: As I create my artwork, notice I am aligning the Building Tools to the Shapes and Lines within my Sketch or Drawing. Many of you will be using Shape, Pencil, and Pen Tools as your Primary Building Tools. BEGINNER: Understand the Building Tools and Options in Adobe Illustrator. ADVANCED: Align the Building Tools (Ellipse, Pen, and Curvature Tools) to the Design Elements (Shapes, Lines, and Curves) in your own drawing or sketch. BEGINNER GUIDES / ILLUSTRATOR TUTORIALS
PRIMARY BUILDING TOOLS: Many of you will be bouncing from the Ellipse Tool for Shapes and the Pen or Pencil Tool for your Linework. Once you know the Primary Building Tools you can start prepping your sketches and drawings directly for Adobe Illustrator. CHECKLIST: For your own artwork, use the most obvious Primary Building Tool to lay down your initial paths and objects.
APPLY: Many of you will be adding our Brush Libraries for Line Variation. Notice that I am finding the ends to see if it will be floating or hitting another line. If it hits another line that signals a darker value to the end should reflect the change in value. (Thicker End).
EXPAND: For your own artwork, duplicate your Live Brushes Layer before Expanding. Expand All. Object - Expand Appearance + Expand. Path Simplify Option: Once the Brushes have been Expanded hit the selection with a Simplify Path (Object - Path - Simplify) to clean up extra Anchor Points.
EDIT: Select All. Select your Shape Builder Tool. Hold down Alt/Option to Delete. Hit all of the overlapping lines to clean up any of the extra lines. You can Turn Off the Highlighting feature in Shape Builder. I recommend zooming in to delete smaller areas.
ADOBE ILLUSTRATOR BRUSHES. Brushes are specifically designed for Illustrators and Cartoonists to speed up their workflow. Brushes Libraries allow for Pressure Sensitivity if you are using a Tablet for Inking your Line Variation. Apply with Pen, Pencil, Shapes, or Paintbrush Tools. Brush Libraries include 70 Cartoon, 100 Comic Strip, and 50 Vintage Mascot Brushes.
ADOBE ILLUSTRATOR HALFTONES. Halftones and Patterns Fills are designed for easy application even if you are new to Adobe Illustrator. Halftone Fills behave the same as a Color Swatch so you can apply them quickly using the Blob Brush, Live Paint, or Basic Fills. Halftones include 70 Comic Strip Halftone Fills and Pattern Fills.
ADOBE ILLUSTRATOR TEXTURES. BMP Textures are extremely easy to use even if you are a beginner to Adobe Illustrator. Simply File-Place the Textures over your finished artwork to use with the Transparency Panel. Use with Opacity Masks for T-Shirt Distressing. BMP Textures include 145 Cracks, 120 Grunge Distressing, 75 Paper, and 77 Paint Splatter Textures.
SAVE BRUSHES: Open All of the Brushes Libraries in Adobe Illustrator. (File - Open). Have your Brushes Panel Open. Under Window - Brushes. In the Brushes Menu, select "Save Brush Library." The Default Save Location is "User Defined." Repeat this step for each Brush Library.
OPEN BRUSHES: Under Window - Select Brushes. In the Brushes Menu, drop down to Open Brush Library. Hover over it and select "Other Library." A Normal Open Dialogue Box will appear to select any Brush Library to use in Illustrator. Almost all Tutorials use this method.
Shape Builder is a tool that can be used to give an alternative to the Eraser Tool while Editing. In order to use Shape Builder, you will need to Expand the Brush Layer. Select All - Expand (or Expand Appearance + Expand). I recommend duplicating the Brushes Layer to preserve a Live Brush Layer for future edits. Once the Brushes are Expanded, Select All + click on the Shape Builder Tool.
Expand Appearance: I do recommend Expanding your Brushes Layer before using Shape Builder. This will prevent bouncing of the Brushes and Line Variation. It will also move toward an efficiency model to save time so you are not stopping and editing while you are still building.
Select your All on Brushes Layer: In order to use the Shape Builder Tool, you will need to select an Object or All Objects so the Tool knows what it should interact with. You can modify what is selected by choosing smaller areas if selecting all becomes too overwhelming. Only edit one layer or object at a time.
Hold Alt/Option: Hold down your Alt/Option Key while using the Shape Builder Tool to Delete Mode. I do recommend turning off the Highlighting when in this mode. Drag or click on any of the overlapped or stray marks to delete using the Shape Builder Tool. Notice that if you go long with strokes it will give you a larger target to edit faster.
BEGINNER GUIDES
BEGINNER: Understand the Building, Variation, and Basic Coloring Methods. VIEW BEGINNER GUIDE
BEGINNER: Understand the Building, Variation, and Advanced Coloring Methods. VIEW BEGINNER GUIDE
BEGINNER: Understand Building, Variation, Editing, and Basic Coloring Methods. VIEW BEGINNER GUIDE
BEGINNER: Understand the Building, Variation, and Advanced Coloring Methods. VIEW BEGINNER GUIDE